After over two years of pandemic this and pandemic that, she is ahead of the curve. I’m not sure if most of us would put ourselves in that much potential danger, but Mumolo’s character is at least taking control of her life. So she volunteers to help a group of diamond thieves with their scheme. In Natalie Prisco’s brief and relatable comedic short, The Hostage, a bored woman wants to feel like her life has meaning and purpose. You don’t have to convince me to watch Annie Mumolo–she could be mowing the grass and, somehow, make it utterly joyous. This is an example of horror that is felt deeply. Shakira Barrera’s Daniela has her eyes ripped open to the generations of pain her ancestors have endured. Gabriela Ortega’s film folds tightly in on itself like a nightmare you can’t wake up from. Marin Hinkle is delightful as Jean, a mom with a secret.Ī flamenco dancer turned office worker’s life is turned upside down when her grandmother dies, and she is forced to confront her family’s history and her grief. Sarah is determined to reconnect with an elementary school crush now that they are all grown up, but she has to deal with her parents’ marital woes as they are all locked in a house together. Rylee Jean Ebsen’s coming-of-age doesn’t focus on a twentysomething as much as it chronicles that a coming-of-age can come at any point in our life. Or parents going through their own trials and tribulations. We all flailed in our own ways when the pandemic and quarantine set in, and many of us had to deal with paranoid parents.
As Tiffany, Tracie Thoms is a comforting presence.
Dylan Boom’s film is simple in its construction, but it’s very effective in its execution as it asks us to make sure human connection and kindness are not lost. When she has a chance encounter with a high-level employee, Paul (Jason Butler Harner), they spark up a conversation, and she resumes her night just like any other before a dramatic event shifts her perspective. It explores regret, memory, and repentance more successfully than some feature films.įor Tiffany, working the graveyard shift as a security guard at a government building is routine. Ninety-Five Senses– What starts as a clever exploration of the senses of the body through one elderly man’s experience transforms into something entirely different in this animated short.If you are anywhere adjacent to the world of performing, you will understand exactly what this film is doing. Call Casting – An eager voice actor sweats through a session and takes us through his anxiety in a single-shot short.The physical humor from stars Eliza Jiménez Cossio and Anthony Oberbeck is crackly, and we can all relate to not wanting to sit down with people we never thought we’d see again. We Should Get Dinner! – A pair of former stepsiblings meet up for dinner for closure, and everything goes hilariously wrong.Rory Keenan’s film explores the expectations we put on expectant mothers and skewers how we think they should behave.
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